Suggs Says No More Alcohol

It’s no secret that our man Suggs has been known to enjoy his drink a bit too much, from time to time. If not incessantly. The subject has been explicitly addressed in songs like “Lovestruck” and “Alcohol,” not to mention the way Suggs still manages to bungle the verses of “My Girl” after 45 years of practice. Or heaven forbid, when he dares to tackle a new song onstage without the aid of a teleprompter. So it was unfortunate that the news that Suggs has stopped drinking broke around the time of April 1, 2025. It surely seemed a cruel April Fool’s joke to propose that the jolly old Dean Martin of the surviving 2-Tone pantheon would conceivably stumble his slurring way onto the wagon.

But this was not a dream. Not a hoax. Not an imaginary story. In a candid interview on the BBC’s Headliners with Nihal Arthanayake, Suggs got as serious as he ever gets (which is to say, in between wisecracks and asides about his wife Anne keeping tabs on him via walkie-talkies) about his admission of alcoholism and decision to make this change in his life at age 64. The brief US tour in May 2025 marks the debut of the newly sober Suggs, and I’m excited to witness that first show in Sacramento. Congratulations to you, Mr. McPherson!

The full audio recording of the Headliners interview is available on BBC.com and as a podcast episode. It’s highly recommended listening for all Madness fans, and much more illuminating than the snippets that have appeared in press article. Below are a few highlights, starting with the cheeky way Suggs brought up the topic.

Funny enough, one of the big revelations of the last couple of months is I gave up drinking, which has sent shockwaves around the whole borough. There was actually a day of mourning with all the off-licenses and local pubs. They had a procession dressed in black and they had a big beer bottle in a hearse with R.I.P., it went past my house. It was very sad. I had to close the curtain, there’s a quick word by the missus on the walkie-talkie to shut the curtain. [Laughs.]

In all seriousness, yeah, I’ve been drinking for 40-odd years and it just sort of, it ran its course. Which is strange because it’s been so intertwined in every element of my life, you know. When I think as a kid, that part of our culture, certainly in those days, my mum worked in pubs, I was hanging around in pubs, you know, you met girls in pubs, you play pool, darts, weddings, funerals, birthdays, and you know, going to see bands then, leading on for that, and getting gigs, the only gigs we could get were in pubs. So it’s a bit of a sort of mind blow, and I haven’t had a drink for a little while, passing all these sort of ghostly places that I used to, you know, sit about getting drunk in is kind of odd.

… To be perfectly honest, yeah, you know, I’ve been a bit sort of jocular about it. But no, it did get a bit serious, yeah. I mean, it was alcoholism, and it’s a horrible thing to admit to yourself. Because you’re like, I was a drunk, you know. “I was a good drinker, I was a bad drinker.” And then you know, my family started to suggest I was getting a bit, you know… but I tell you that’s the downside of giving up drinking, is you start looking through the backs of magazines buying walkie-talkies because you’re bored you’ve got nothing on. [Laughs.] But, no, it was a bit of both, yeah, medically I was getting a bit, I didn’t realise how alcohol affects your brain as well as your body, you know. And I went to see an addiction therapist and he just said, “You’ve got to stop,” basically.

So, it was a sort of fait accompli, which was hard, but it’s mostly habitual, you know. It’s, any addiction, it’s different, you know, it’s hard to say when it stops being fun. You know what I mean? It was fun. You know, I’ve got so many great memories, you know, with the band, especially the sort of occupational hazard, but all that euphoria and sort of wildness, which comes with being slightly oblivious. [Laughs.]

But then, you know, it stops being fun. And for about five years, maybe more, it kind of stopped being fun. So it was just tough. 

… And Anne said she felt it was a bit like those recently, when they found out as babies, they’ve been swapped in the hospital. She thought, I’ve been swapped with somebody else since I stopped drinking. [Laughs.] … Because when you’re drinking too much, it just becomes your sole, you know, raison d’être, and just being uninterested, basically, in anything other than myself and sittin’ there getting drunk. … I mean, I can say, most normal people, you can have a nice drink like you said, go to the pub after you’ve done a bit of work. But this was just becoming sort of daily occurrence and it was just wearing and boring really. I became boring. That’s the sort of main word, and now I’m not, apparently. [Laughs.]

… I mean, it was a physiology, you know, like you get older and you can’t cope with probably the amounts that I used to drink when I was younger anyway. And the hangovers were getting so, you know, like two days, sort of wiped out of your life, all that kind of, you know, stuff that you hear. But it’s amazing, you know, I got involved with people in addiction therapy and just how much of it there is around, you know, really is a massive thing. And it’s just that thin line between drinking socially and drinking unsocially, and kind of ruining in your life, basically, which is where I was sort of headed. 

… It is very uncomfortable, yeah [to call himself an alcoholic]. And as I say, you put that off ’cause it does mean that you’re gonna have to stop. And I just remember the relief when I first said that word. Because it’s just, it’s so not me, you know. I wasn’t. And I didn’t really get into any really negative or destructive kind of elements or life. But it was just, it’s just when the drink becomes more important than anybody or anything else. That’s what was happening. You know, I’m so glad I did. It’s kind of like a way, a bit like, I think Oscar Wilde said when he lost his libido and he said, “It’s like being unshackled from a lunatic.” [Laughs.] Kind of like, he’s just got his thing in your ear. “Come on, let’s have a drink. Come on, only one more. Come on, let’s go out,” you know, whatever, whatever. It just goes on and on and on. 

[The rest of the band is aware of the news.] Yeah, yeah. And in fact, a couple of the others packed up a little while ago. And so many of my friends without naming names about my age in this industry. I mean, loads, I could tell you loads, all packed up around being 60. And I think that, you know, 40 years, I didn’t miss out, you know, really didn’t. I did, you know, every single thing that one can associate with, you know, drunken lunacy. I’m lucky to tell the tale, really. And it’s funny, it’s just like a kind of new beginning in some, without being sort of getting too righteous about it. For me, anyway.

Madness Returns Stateside for 2025 West Coast Tour


At the time of the long-delayed 2024 Madness tour dates, a lot of us fretfully whispered it might be the last time the boys would play the USA. Well listen, Buster: They ain’t quite ready to write off the old Yankee colonies just yet! Leading up to the Cruel World festival slot announced in November, the band has confirmed a West Coast mini-tour of headlining dates in Sacramento, Oakland and Las Vegas.

May 14 Channel 24, Sacramento, CA TICKETS
May 15 Fox Theatre, Oakland, CA TICKETS
May 16 House of Blues, Las Vegas, NV TICKETS
May 17 Cruel World Fest, Pasadena, CA TICKETS

UPDATE: The Sacramento show at the brand-new Channel 24 venue has now been announced, with sales beginning at the end of February. At that time, tickets for all the shows will be on sale.

Although personal circumstances left me tardy in blogging about this tour news, I’m happy to say I’m planning to fly out west for the Sacramento show! In fact, we’re planning to have some Stateside Madness presence at most of the dates. Stay tuned for details on SSM pre-show meetups as we get closer to the tour, and get in touch with us if you’re interested in participating or helping us coordinate. It’s gonna be another fun time for us lucky Madheads!

Theatrical Previews: First Sounds from New “C’est La Vie” Album

The news is official. Grandiloquently entitled Theatre of the Absurd presents C’est La Vie, the new Madness album will be released November 17. It features 14 new tracks bracketed by spoken word interludes with actor Martin Freeman. Contrary to fan rumors, there is no deluxe edition with bonus tracks at this time, although there are plenty of various format bundles available from the official Madness shop. For the convenience of U.S. fans, the CD and vinyl are up for preorder at Amazon and other domestic retailers.

Behold the intriguingly dramatic track listing: 

  1. Prologue: “Mr Beckett Sir…”
  2. Theatre of the Absurd
  3. If I Go Mad
  4. Baby Burglar
  5. Act One: “Surrounded on All Sides…”
  6. C’est La Vie
  7. What On Earth Is It (You Take Me For?)
  8. Hour of Need
  9. Act Two: “The Damsel in Distress..”
  10. Round We Go
  11. Act Three: “The Situation Deteriorates…”
  12. Lockdown and Frack Off
  13. Beginners 101
  14. Is There Anybody Out There?
  15. The Law According to Dr. Kippah
  16. Epilogue: “And So Ladies and Gentlemen…”
  17. Run For Your Life
  18. Set Me Free (Let Me Be)
  19. In My Street
  20. Fin.: “Ladies and Gentlemen…”

As a teaser, the band released a limited-edition 4-track CD promo called Theatre of the Absurd Introduces C’est La Vie. This hot little ticket immediately sold out, to the regret of Madheads like myself who didn’t click “Add to Cart” swiftly enough. But we’re consoled by the digital release of three of those preview songs, including first single “C’est La Vie” along with “If I Go Mad” and “What On Earth Is It (You Take Me For?)” 

Ladies and gentlemen, this album is shaping up to be a fucking phenomenal Madness masterwork.

“If I Go Mad” is a pure firecracker written by Suggs. I do have to say the studio arrangement is not quite as explosive and dynamic as the version that debuted in 2021’s The Get Up! livestream, but this is always the case for me when my first time hearing a great new song comes in a memorable live performance. 

The title track (or I guess one of the two title tracks) “C’est La Vie” is a brilliant Mike Barson composition, a sort of 21st century update of “Grey Day,” wailing in resistance against “a tyrannical heaven.” 

Then we get “What On Earth Is It (You Take Me For?),” a tasty Thompson/Foreman number previously tried out live under the working title “Pussy Galore.” To me this is a much more successful realization of the chaotic road-to-hell sound Lee was going for in “Mumbo Jumbo.” It’s filthy, funky, slinky and depraved. You got to love it!

I’ve also heard the fourth track exclusive to the way-too-limited CD, “Is There Anybody Out There?” I don’t know the songwriter, but I’m guessing Chrissy Boy is at least a co-author. It’s got the strongest lead guitar lines of the new four songs, and I’m feeling that “edgy” attitude Chris says he contributed to the recordings.

All of these advance tracks share a similar vibe that’s wise and world-weary, beaten down by bullshit and the changing times, but not yet ready to give up. Throughout I feel the spirit of Ian Dury: if Ian were alive today, what kinds of songs would he write about the ridiculous state of the 2020s? I think Madness is giving us a good approximation. 

It’s too soon to draw conclusions yet, but listening to these songs makes me think Madness set out to top The Liberty of Norton Folgate. “C’mon lads, everyone likes to say that was our best, but let’s show ’em we got one more in us even better.” The heavy dramaturgy in that tracklist convinces me they’ve dug really deep down to put on a hell of a show. Now let’s wait patiently for the curtain to rise.

New Madness Album Rumored for November

It’s looking like our long wait for the 12th studio album by Madness may nearly be over. In a recent interview on the Talking to Mod podcast, Chris Foreman reported that the new collection of 14 tracks will be released on November 17, 2023. Darren Bowen of Madzine and our bons amis at French M.I.S. are further reporting that the album is titled C’est la Vie (also the name of the band’s upcoming UK tour, and taken from one of the new song titles). It will reportedly be available in a standard edition of 14 tracks, as well as a deluxe edition with five bonus tracks.

Chrissy Boy says the album was recorded at the band’s new rehearsal facility in London’s Cricklewood neighborhood, which we first glimpsed in Suggs and Mike’s 2020 Two Mad Men and a String Quartet pandemic lockdown performance. In the Talking to Mod interview, Chris is quite enthusiastic about the new album: “I think it’s a very good body of work.” He says he “got a bit edgy” in some of his lyrics, citing new track “Run for Your Life” as possibly the best song he’s ever written, and offering high praise for the band’s new sound engineer, Matt Glasbey.

Previous reports from band members on the new album’s progress held that they were trying to decide whether to call it Theatre of the Absurd (after a Suggs composition) or C’est la Vie. Personally I’ve been been hoping for Theatre of the Absurd, since Madness already had that one other French-inflected album title not so long ago, and the other conjures marvelously mad imagery for cover art, complete with a British spelling built in. But anyway, the above details are yet to be officially confirmed, so who knows? That’s life.

Stay tuned to Stateside Madness for late-breaking album news as it develops!

Dance Craze DVD/Blu-ray and Deluxe Soundtrack in 2023

It’s a rude dream come true! The legendary 1981 concert film Dance Craze is set for release as a DVD/Blu-ray set on March 27, 2023. This cult classic vividly showcases “the best of British ska, LIVE!” in all its hyperactive glory – including The Specials, Madness, The Selecter, The Beat, Bad Manners and The Bodysnatchers.

Issued by the prestigious British Film Institute (BFI), the Dance Craze dual format set boasts a 4K restoration from original film materials, with new 5.1 surround and Dolby Atmos soundtracks co-supervised by Jerry Dammers plus the original mono. The release is further reported to include outtakes and other bonus materials to be announced.

As if that weren’t exciting enough (and it damned well is), there will be an accompanying Deluxe Edition of the Dance Craze soundtrack album as box sets of 3 LPs or 3 CDs, out on March 23, 2023. For the first time ever, these releases will include all 27 songs from the film, as well as the original 14-track compilation from 1981.

  1. The Specials: Nite Klub
  2. Madness: The Prince
  3. Bad Manners: Ne Ne Na Na Na Na Nu Nu
  4. The Bodysnatchers: 007
  5. The Selecter: Three Minute Hero
  6. The Beat: Ranking Full Stop
  7. The Beat: Big Shot
  8. The Specials: Concrete Jungle
  9. Madness: Swan Lake
  10. Madness: Razor Blade Alley
  11. The Selecter: Missing Words
  12. The Bodysnatchers: Let’s Do Rock Steady
  13. Bad Manners: Lip Up Fatty
  14. Madness: Madness
  15. The Specials: Too Much Too Young
  16. The Selecter: On My Radio
  17. The Bodysnatchers: Easy Life
  18. The Beat: Rough Rider
  19. The Specials: Man at C&A
  20. Bad Manners: Inner London Violence
  21. Madness: Night Boat to Cairo
  22. The Beat: Twist & Crawl
  23. Bad Manners: Woolly Bully
  24. The Selecter: Too Much Pressure
  25. The Beat: Mirror in the Bathroom
  26. Madness: One Step Beyond
  27. The Specials: Nite Klub (Reprise)

The Dance Craze film has long been notoriously “unreleased” and “unavailable” because of copyright and ownership disputes. Outside of rare screenings of well-preserved prints, most fans have seen it only via VHS bootlegs and hideous blurry YouTube uploads with muffled sound. Now that’s all about to change, and Stateside Madness is here for it! For those keeping score, this will mark the first time anything Madness-related is available on Blu-ray Disc. Welcome to high definition, lads! And finally we get to hear the film’s rollicking renditions of “Swan Lake” and “Madness” in crystal clear audio mixes. 

But will these holy grails be released in the U.S.? The deluxe soundtrack is coming from Chrysalis/2 Tone, whose recent reissues have seen widespread American release, so that should be no problem. The BFI DVD/Blu-ray, on the other hands, may have to be had as an import, unless some U.S. distributor like Eagle Rock or Rhino were to pick it up (pick it up, pick it up). Update: The official 2 Tone online store has the Dance Craze film and soundtrack box sets listed in U.S. dollars for overseas shipping (in numerous bundled configurations), so you can get ’em that way if they don’t turn up in our domestic retail channels.

While we wait for March to get here, take a look at my personal reflections on the classic soundtrack album, Dance Craze and My Higher Education.

“The Get Up!” Coming to CD/DVD

Madness will be releasing their acclaimed 2021 global livestream event The Get Up! as a CD/DVD set on November 18, 2022. An inventive response to the pandemic lockdown, The Get Up! featured the band playing live at the London Palladium to an audience consisting only of themselves (as snarky hecklers), interspersed with comedy bits crafted by co-star and screenwriter Charlie Higson.

Among the production’s many highlights are special guest vocalists Paul Weller and Roland Gift, the sparkling new compositions “If I Go Mad,” “Baby Burglar” and “The Theatre of the Absurd,” tardy Lee Thompson’s farcical efforts to find his way into the Palladium, and Mike Barson’s monumental performance as the late Queen Elizabeth II.

The CD/DVD track list:

  1. Act 1 – Rehearsals
  2. My Girl (Rehearsal)
  3. Bed and Breakfast Man (Rehearsal)
  4. Feel So Fine (Rehearsal)
  5. Theatre Interlude 1
  6. Concrete and Clay (Audition feat. Roland Gift)
  7. Theatre Interlude 2
  8. The Harder They Come (Audition feat. Paul Weller)
  9. Theatre Interlude 3
  10. The Prince (Audition feat. Suggs)
  11. Madness (Band Naming Rehearsal)
  12. Theatre Interlude 4
  13. Act 2 – One Step Beyond
  14. Embarrassment
  15. Baby Burglar
  16. NW5
  17. House of Fun
  18. Baggy Trousers
  19. Shut Up
  20. Night Boat to Cairo
  21. If I Go Mad
  22. Our House
  23. It Must Be Love
  24. The Theatre of the Absurd
  25. House of Fun (Reprise)

The Get Up! was billed as a “one-time-only” streaming event, but thank goodness it’s being issued in a more permanent format where more fans will have the opportunity to see and hear it. This is more than a simple ephemeral live show. It’s a bonafide film, and in many ways the direct sequel to Take It or Leave It some 40 years later. Suggs asks early on, “Won’t it be a bit weird without an audience?” Not really, now that the overlooked gem of The Get Up! can score the broader viewership it deserves. Don’t miss it! Order from the official Madstore or Amazon US.

Read the full Stateside Madness review of The Get Up! (as quoted in the official Madness press release).

Thick as Thieves: Madness and Paul Weller’s Solid Bond

On March 24, 2022, Madness performed at the Royal Albert Hall supported by very special guest Paul Weller, as part of a concert series to benefit the Teenage Cancer Trust. Man, what a dream show that would have been for me personally. My two all-time favorite British acts together on one bill, at the magnificent venue where I was lucky enough to see Caro Emerald from the front row in 2017. It’s a lovely thing when your top music heroes happen to be friends who enjoy one another’s company.

There was plenty of fan carping about exorbitant ticket prices for the gig, which was after all a charity fundraiser. But if I’d had the wherewithal to fly back to London at this juncture, I would have gladly emptied my wallet. It doesn’t get much better than Madness and Weller at the Albert Hall.

Weller and his band played the unfamiliar role of opening act, serving up an acoustic set of 10 numbers spanning the whole of his 45-year career. Madness followed with a reported barnburner of a show, as per usual. I was hoping Paul might might join Madness for a rousing Motown classic encore as he’s done on occasion in recent years, but alas, it was not in the cards this time.

So let’s take a look at the longstanding history between the Modfather and the Nutty Boys, who seem to always have been good mates. I can’t find any evidence of The Jam and Madness ever performing on the same bill together, but surely they did at some point, at least on Top of the Pops or somewhere. Please let me know any details about any shared gigs I’m missing. In his memoir Growing Out of It, Lee Thompson relates an anecdote about seeing Jam-era Weller swimming naked at a Hollywood pool party, so the two young bands were running in the same sordid circles in those early days.

One interesting artifact where Madness and The Jam intersected, however indirectly, was the 1981 compilation LP Life in the European Theatre, a fundraiser to benefit the anti-nuclear peace movement. The stellar track list included “Little Boy Soldiers” from The Jam and “Grey Day” from Madness, alongside the likes of The Clash, The Beat, The Specials, Peter Gabriel, Ian Dury, and Echo & The Bunnymen. 

After Weller moved on to The Style Council, he interacted with Madness with more regularity. The two acts teamed up at a number of benefit concerts promoting political causes, including a 1984 Liverpool concert supporting a miners’ strike where Suggs and Paul duetted on Smokey Robinson and the Miracles’ “Shop Around.”

Madness later took part in the controversial 1986 Red Wedge tour, in support of the pro-Labour group organized by Weller, Billy Bragg, Jimmy Somerville and Rhoda Dakar. Chas was apparently the member of Madness most engaged with Red Wedge, and as it happened, he would later be instrumental in signing Weller to the Go! Discs label as a newly solo artist in the early ’90s.

In 2019, Weller guested on Suggs’ BBC Radio 4 series, Love Letters to London. The two discussed their shared fondness for Soho, then joined their voices in a Kinks song, “Nobody’s Fool,” known as the theme song from 1970s TV series Budgie.

Later that year Weller joined Madness at House of Common for another rendition of “Shop Around” along with Martha and the Vandellas’ “Heatwave.” Reportedly, the camaraderie at this gig led to Thommo appearing on Weller’s 2020 album On Sunset with a featured sax solo.

The mad/mod chumminess continued with Weller turning up as a surprise guest vocalist on Madness’s triumphant 2021 streaming event, The Get-Up! Along with Roland Gift, Paul gave a mock audition in Barso’s bedroom to replace Suggs (or were Madness auditioning for him?) with a knockout cover of Jimmy Cliff’s “The Harder They Come.”

In their handful of musical collaborations to date, Madness and Weller have stuck to covers of classics from their mutual influences. As far as I know they’ve never tackled one of their own hits together. Weller has often mentioned his admiration for “Embarrassment,” which actually influenced the sound of The Jam’s “Town Called Malice.” I’m still holding out hope that Paul will cover “Embarrassment” one of these days, preferably live on stage with Madness in front of a raging crowd. Failing that, my runner-up nomination for Weller to sing would have to be “NW5.”

Conversely, Madness is superbly well-suited to take on any number of Weller’s songs. Mark Bedford’s expressive bass style is a lot like Bruce Foxton’s to begin with, and the late-period Jam hits with the horns and keyboards inch into the Madness instrumentation range. Just imagine Bedders and Woody barreling through “Start!”, Bedders and Barso owning “Town Called Malice,” or all members of the band getting a major workout on “Precious.” I can practically hear it.

But something even more enticing than those hypothetical Jam sessions is in the works. For the past couple of years, scuttlebutt regarding a new Weller/Suggs composition has been making the rounds. In a June 2020 “Chris’s Covid Cupboard” Zoom call (which I myself was honored to attend live), Chris Foreman related the following on the topic of songwriting in lockdown: “I actually sent one song that I’d thought up to Suggs because I thought he’d like it, and he forwarded it to Paul Weller, who added some lyrics and it’s sounding really good. So we’ll see what happens with that – I could have a new career writing songs for Paul Weller.”

In a Mojo interview in May 2021, Suggs spoke further on this intriguing collaboration. “I’vе written a song with Paul Weller called ‘Who Do You Think You Are, Sunshine?’ [Whether this is the same song that Chris originated remains to be seen.] You know those people who say they had one teacher who turned their life around? I didn’t. I’m trying to couch that fact, not too negatively, that one makes one’s own path. We haven’t recorded it yet, no. But it’s there.”

Weller confirmed the story in a radio interview around the same time. “We’re still in the process of writing this song together, which is going to be great, but it’s just getting us both together in the studio. So I think we’re going to try and do it this summer anyway, and then whatever happens to it I’ve no idea. And I did that livestream gig, I did a song on that with them a couple of weeks ago at the Palladium as well. But they’re just great fellas, aren’t they? … I’ve always had a soft spot for all of them, for all the fellas in that band, and they’re just great characters.”

Asked about the vibe of the co-written tune, Weller offered, “It’s great. It’s called ‘Who Do You Think You Are, Sunshine?’ so the title alone… [laughs] But the concept, I can’t tell you the concept. But the idea is good anyway, so yeah, we just gotta get in there and finish it.”

On a December 2021 installment of Dan Jennings’ The Paul Weller Fan Podcast, Weller’s tour manager Kenny Wheeler approvingly mentioned a demo recorded by his boss and Suggsy. So progress has continued. Sooner or later we can expect to hear “Who Do You Think You Are, Sunshine?” at last. Will it be a Weller guest spot on the next Madness album? Or a Weller track with vocals by Suggs? Or a Record Store Day single, or part of a fabulous Suggs & Paul Weller originals EP?

Whichever way they may choose, I would give these blokes anything, for just the smile they bring, for just a song to sing, stuck together for all time.

Update: “Ooh Do U Fink U R?” was released as a single by Suggs & Paul Weller about five weeks after this article was published.

Madness 2022 U.S. Tour Canceled

Will Madness ever come sailing across the sea to be with their Uncle Sam? Not in 2022.

The U.S. tour first slated for 2020 has now been scuttled for a third time. In contrast to the previous postponements, this time the dire word “cancel” is invoked and ticket refunds are being issued outright, despite a loose assertion of 2023 plans.

The official announcement:

Victorious! Madness Returns to the Stage!

Madness is back. The audience is back. The magic is back.

For their first proper live show since the COVID-19 pandemic, Madness took to the main stage at the Victorious Festival in Portsmouth on August 27. Although Woody missed the show for personal reasons, the rest of the band made a spectacular return before a jubilant crowd. Here are a couple of great audience videos that give some sense of the electrifying experience of witnessing the moment. Welcome back, boys!

Setlist (with incorrect date)

The SSM Glossary of Norton Folgate

Editor’s Note: Welcome aboard our first guest blogger: Laurie Alfaro, Stateside Madness Social Media Director and Podcast Producer. Laurie has contributed this glossary in conjunction with her deep-dive podcast on The Liberty of Norton Folgate. Sit back, relax, and we’ll travel many a long dim silent street… together! – D. Trull


In 2009, Madness released their magnum opus The Liberty of Norton Folgate, a concept album referring to a small area in east London named after Norton Folgate Street. Historically, this area was known for its colorful immigrant population, especially in Victorian times. Rightly or wrongly, the Liberty of Norton Folgate had a reputation for lawlessness, crime, and prostitution.

The album concludes with the ten-minute, ten-second epic title track, “The Liberty of Norton Folgate.” The song references many people and places in Victorian England that may not be known to American audiences. In this article, I will outline the people and places mentioned in the song to give listeners some context so that they can truly appreciate this masterpiece.

“This is the story of the Liberty of Norton Folgate” (0:10)

As we learned in Episode #23 of the Stateside Madness Podcast, Norton Folgate was a liberty in Middlesex, England, adjacent to the City of London in what would eventually become the East End of London. A “liberty” is an area in which rights reserved to the king had been devolved into private hands; in other words, it was self-governed, ruled by a court of ten elected officers who derived their authority from the people. Notable for the time, the elected officers included women. It was an 8.7-acre site originally occupied by the Priory and Hospital of St. Mary Spital. Playwright Christopher Marlowe was a resident of Norton Folgate, and the first-ever staging of a Charles Dickens play was held at the City of London Theatre in Norton Folgate (titled The Pickwick Club or The Age We Live In). William Shakespeare himself reportedly lived and worked in the neighborhood as well.

For some great info about the Liberty of Norton Folgate, see the brochure Save Norton Folgate.

Old Jack Norris, the “Musical Shrimp” (0:22)

Taken from the 1824 book, The Cabinet of Curiosities; Or, Wonders of the World Displayed:

A short time ago Old Jack Norris died suddenly and an inquest was held on the body, before Mr. Stirling, Coroner, at the Black Horse, George-street, St. Giles’s. It was reported the deceased had starved to death. The evidence proved, that latterly the deceased, who was nearly seventy years of age, was unable to pursue his occupation of a dealer in shrimps, which, from his peculiar cry, gained him the appellation of the “Musical Shrimp Man”….

Battling Levinsky versus Jackie Berg (0:42)

Battling Levinsky was the world light heavyweight champion from 1916 to 1920. Jack Kid Berg, or Jackie Kid Berg, was an English boxer born in the East End of London who became the World Light Welterweight Champion in 1930. Both were inducted into the International Jewish Sports Hall of Fame. Since their boxing careers took place much later than Victorian times, their inclusion may seem like an anachronism; but after all, Suggs is taking a broad survey of Norton Folgate’s history that extends to street hucksters flogging bootleg DVDs.

Arnold Circus (2:00)

This area had once been one of the worst slums in London. In 1890, the entire area was razed, and a new housing development was built in its place. According to Atlas Obscura:

Rather than lifting London’s poorest from squalor, the Boundary Estate forced them into neighboring slums. The construction of the estate did, however, succeed in revitalizing the immediate neighborhood. Crime and violence in the area decreased substantially and Arnold Circus was viewed as a haven by London’s Jewish immigrant community.

Petticoat Lane (2:03)

A clothing market in Spitalfields. In the late 1800s, the area experienced a wave of Jewish immigrants fleeing persecution. Many of these immigrants went into the garment industry and set up stalls in the clothing market.

The Well of Shadows (2:04)

According to author Ed O’Regan, the Well of Shadows is a play on words referring to Shadwell in London’s East End. (Shadwell = Shad Well, Well of Shadows.) In his book Well of Shadows, Underground London (AS Publishing, 2013), he writes:

The social history of London’s East End is that wave upon wave of poor and/or dispossessed immigrants: Hugenots [sic], Irish, Jews and, more recently, Bangladeshis.

The local gang of Bangladeshi youths called itself ‘The Shadwell Massive’.

In Victorian times, the Shadwell area was a slum where opium dens and prostitution were rampant.

Archipelago of Malay (2:33)

This refers to the island chain between Australia and mainland Indochina. The Malay Archipelago consists of 25,000 islands and islets, including East Malaysia, Indonesia, Papua New Guinea, and the Philippines. Portions of the archipelago were ceded to the British Empire under the Anglo-Dutch Treaty of 1824.

Shadwell’s Tiger Bay (2:39)

Shadwell, mentioned earlier in the song, was a popular docking location for ships traveling up the River Thames. The rough-and-tumble nature of the area surrounding the docks earned it the nickname “Tiger Bay.” According to Ed Fisher in The Dictionary of Victorian London:

During the Victorian times, “Tiger Bay” was used (mostly by sailors but by others as well) to refer to various of the worst slum areas or districts as well as a few actual streets near the east-end London docks. Allegedly, the nickname was inspired by the awful nature of the brothels (and their operators) in the worst areas where many of the sailors were so badly treated.

“The Welsh and Irish wagtails” (2:45)

A wagtail is a songbird. Here, the wagtail is a metaphor for the people from Wales and Ireland and their native music. This thought continues in the next line, as “The music hall carousal is spilling out into bonfire light.”

Mr. Truman’s beer factory (3:06)

Located on Brick Lane in Tower Hamlets, Truman’s Brewery was once the largest brewery in the world. “Giants dancing up the brick wall” refers to the shadows of drunken revelers cast across the building’s iconic brick exterior. Joseph Truman became owner of the facility in 1683 or thereabouts. (Records from this time are a bit sketchy.) The brewery was passed down over many generations in the Truman family. Its famous 160-foot chimney is now a historical landmark. Today, The Old Truman Brewery is an events space and cultural center.

Spitalfields, Whitechapel, Tower Hamlets (3:14)

Spitalfields and Whitechapel are districts in the East End of London within the London borough of Tower Hamlets. Known for its dense immigrant population, in Victorian times this area was most famous as the hunting grounds of Jack the Ripper. Interestingly, the 2009 Madstock festival that coincided with the release of The Liberty of Norton Folgate shifted from the traditional Finsbury Park venue to Victoria Park in Tower Hamlets.

Banglatown (3:19)

Due to its large South Asian population, Brick Lane is nicknamed Banglatown (as in Bangladesh). Suggs seems to mispronounce it as “Bangletown.”

Dan Leno and the Limehouse Golem (3:48)

Dan Leno was a music hall comedian famed for his bawdy songs and drag routines. Author Peter Ackroyd wrote a 1994 murder mystery novel set in Victorian London, Dan Leno and the Limehouse Golem. The book’s fictional serial killer, a menace in the vein of Jack the Ripper, is named for the Limehouse district of Tower Hamlets. Though it was pure fiction, Ackroyd’s novel starred a number of historical figures including Dan Leno and Karl Marx. It was published in the United States as The Trial of Elizabeth Cree and adapted into a 2017 film, The Limehouse Golem. Suggs cites the psychogeographic approach of Ackroyd’s London: The Biography as an influence in his conception of “The Liberty of Norton Folgate.”

“Have a banana” (4:23)

“Let’s All Go Down the Strand” was a massively popular 1910 music hall song about having a night out on the Strand, a lively thoroughfare about 3 miles west of Norton Folgate. An ad-libbed audience singalong line got permanently tacked onto the chorus: “Let’s all go down the Strand, have a banana!” (much like various additions to “Sweet Caroline” popularized by American sports crowds). “Have a banana” has become an emblematic Cockney catchphrase much favored in the Suggs repertoire of stage patter.